Artist Statement

My artistic practice explores the relationships between the identity of territories, memory, and living things. I am interested in the traces of their past and present, in what places retain of their history, and in the transformations that shape their identity.

Photographic archives, heritage, landscapes, personal narratives, and botanical elements all serve as starting points for my research. Plant life, in particular, interests me as an imprint of the territory, revealing its history, its environment, and its evolutions.

Confluence, 2026, textile installation

 

My work does not seek to reconstruct the past, but to offer a visual interpretation of it. Recovered textiles, thread, transferred photographs, branches, and natural materials meet in compositions where images are fragmented, materials are layered, and forms are transformed.

 

Sensitive Map, 2026, textile work

Thread holds a unique place in this approach. Beyond embroidery, it becomes a line, a connection, a trace, or a sensitive cartography. It passes through materials, connects fragments, and draws new correspondences between places, their histories, and their memories.

Rue Bezange, Irigny

My research unfolds through textile works, assemblages, and sculptural installations. It also questions the relationships between the human body and the organic world, in forms where the human, the botanical, and the material converge.

 

Roots and Organic Lung, 2026, wood, stone, and textile installation

Between documentary research and visual experimentation, I seek to make the traces that contribute to the identity of places and beings perceptible, while allowing new forms and interpretations to emerge.

 

Roots Zoom 2026, installation